Head of StatsCan "falls on sword" in protest of Harper’s census BS.
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Category: ReviewsVeteran actor stars in the "period indie" Get Low this summer, but doesn’t mention it in his spectacular GQ interview.
Searching in vain for your signature scent? Forget the department-store kiosks and make an appointment at the My Aromachology mix-your-own-perfume bar.
Come back, Paul Simon, all is forgiven. A decade after Simon dared to
graze on highlife and ’80s
pop-rock, LA six-piece Fool’s Gold throw all this and more into the mix,
producing swirling sugar highs like some kind of musical cotton candy
machine, albeit one loaded with plenty of spices as well.
The prime reason to see Love, Loss, and What I Wore is to see five
sensational female performers share the same stage. What more could you
want than musical star Louise Pitre, comedy legend Andrea Martin, This
Hour Has 22 Minutes’ Mary Walsh, Degrassi’s Paula Brancati and cabaret
diva Sharron Matthews gathered together for your entertainment? Well,
you might wish for a show as willing to challenge as amuse.
Today: local garage-punk combos Teenanger, Anagram, No No Zero and Ancestors literally face off against one another at Four Corners; stoner-rockers Black Mountain expose their Wilderness Heart at the Horseshoe; dancefloor don Diplo tops the bill at the TIME Festival; From the Soul: The Caribana Art Exhibit opens at the ROM; and surreal Japanese cult classic House gets a limited run at the Bloor.
As in Wanted, Angelina Jolie skitters through Salt’s various chase/shoot-out set pieces with aplomb, but she doesn’t exactly engage our sympathies.
Today: Holt Renfrew hosts a special meet-and-greet with San Fran fashion icon Alexander Wang; sprawling collective Fool’s Gold add some Hebrew to their Afro-pop mix at the El Mocambo; and local alt-jazz ensemble The Rent pay tribute to the late, great Steve Lacy at the Tranzac.
Peter Darbyshire’s second novel skims a world of illusion.
Connections between disparate artists illuminate in one of the year’s best shows.
